Hugo LX
What Does It Do?

Anglo-French RnB singer songwriter with expertly crafted Love songs charting the course of relationshipS. A new take on the alternative RnB and Neo Soul genre with instrumentally daring arrangements, melancholic soundscapes, sumptuous jazz harmonies and effortless mantra-like soulful melodies. appolonie - vocals (all tracks)barak schmool - keys, programming (all tracks); alto flute (3)joe lee - bass (all tracks)lyle barton - keys solo (2)todd oliver - guitar solo (5)aviv cohen - guitar (1 2 4 5)greg sanders - guitar (3)words/music appolonie, arrangements barak schmoolengineering - aviv cohen, tom cc, julius johanssonproduction - barak schmool, aviv cohenmixing, mastering - aviv cohenphotography - cinqcentquarante

Detroit's Ali Berger returns to FatCat Records' sub-label FCR with a follow up release entitled 'Keys The Door EP2'.After his 'Keys The Door EP1' that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan's Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali's previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that's gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.'Grease Trap' kicks things off with a wavering acid line, robust melodies and outlandish oscillations before 'Heard' drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. 'Hit Piece' introduces eccentric synth shoots, bubbling percussion and glistening rhythms until 'Keys The Door' rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.

<< Last few of this gem, once it's gone, it's gone >>the long anticipated E B U full-length on NoCorner is now sat here at Le Discopathe HQ, ready to ship.If you managed to grab one of the limited 12″s with ‘Falling’ & ‘Light Show’ plus remixes – then you know what you’re in for here, and the chances of your captivation are already high…If not, then here’s your chance for the full dive into E B U’s one-in-a-million sound world.It’s a very special record, one of the most uniquely alluring albums we’ve heard in some time –and we’re sure this is only the beginning of her journey, so do yourself a favour and step inside now.Throughout Hinge, Unnatural sounds and pitches exhale in melodic chants, ominous basslines resound and eerie loops fixate in this macabre ensemble. You are captive in her world. Moments of haunting clarity keep you wondering where she will take you next whilst strange narratives unfold. In her music and performances, her chameleonic visual display is charged with emotion, keeping you suspended in a state of flux as she orbits through the spectrum. ‘Stimulated by human behaviour and existence, she questions the very nature of being and invites the audience to explore through her cathartic performance.’To our ears, her sound captures elements of the radiophonic qualities by electronic pioneers such as Delia Derbyshire, through to unlikely melody and harmony akin to that of Ryuchi Sakamoto or Laurie Anderson.It’s an exploration of strange places with a weird & wonderful sphere, sonically capturing the colourful intensity of Alejandro Jodorowsky’s Holy Mountain, or perhaps sounding like a much more out-there, much more convincingly extra-terrestrial Space lady… These are just vague comparisons though… Essentially, her sound is a total world of it’s own.Hinge, E B U’s debut album, is an outer body experience that will conjure up memories you never had before, images you can’t quite place but somehow relate to, and a sense of sweet disorientation as you slip into a whirlpool of shapeshifting melody, harmony and frequency.

Straight out Montpellier France, comes this double vinyl feast of deep, organic electronic sound. Becoming is James S. Taylor (SWAYZAK UK) and Cedrick Eymenier (FR). This is their debut release exploring their interest in long tracks that change almost imperceptibly - subtle earworms for domestic and public enjoyment. Slacker House is thus defined by this Anglo French duo.

Les Disques de culte are back with a new exploration of the original soundtracks of the golden age of French X-rated films, the cult movie La Femme-objet, which has never been released before (neither on LP or any other format). A tribute to pleasure, composed by Jean-Claude Nachon, who at the dawn of the eighties was using without any restrains all the arsenal of the pioneers of the "electro-porn" to enhance the prodigious performance of Marilyn Jess. Languorous and effective beats, between psychedelic reggae, synth-pop and electro-orgasmics take-offs, gathered in this intimate selection to listen alone or accompanied…Fully restored the audio tracks from original material. Inside, in a gatefold, you'll find a copy of a rare vintage italian X-rated comics (translated in english) starring Marilyn Jess and la Cicciolina, so that you can get busy with your hands while listening to your LP.