Takayanagi Masayuki New Direction For The Art
Complete "La Grima"
A
La Grima Part I
21:14
B
La Grima Part II
20:39
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Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years
*Taxes included, shipping price excluded
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Takanayagi Masayuki's New Direction For The Art group were at the forefront of free jazz and improvisation in Japan. This recording is of a 1971 concert which took place at the Gen'yasai festival, and it captures a moment of confrontation between anti-establishment politics and avant-garde music which drew a hostile response from the crowd. The performance erupts in a cacophony of noise from the very first moment, and reportedly drew catcalls and eventually missiles to be launched from the audience in reaction to the no-holds-barred approach the musicians took. It's an uncomfortable experience Masayuki referred to as mass projection, in which time itself becomes illusory as the brain searches for footholds amongst the chaos.
A
La Grima Part I
21:14
B
La Grima Part II
20:39
A
La Grima Part I
21:14
B
La Grima Part II
20:39
Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years
*Taxes included, shipping price excluded
Share
Takanayagi Masayuki's New Direction For The Art group were at the forefront of free jazz and improvisation in Japan. This recording is of a 1971 concert which took place at the Gen'yasai festival, and it captures a moment of confrontation between anti-establishment politics and avant-garde music which drew a hostile response from the crowd. The performance erupts in a cacophony of noise from the very first moment, and reportedly drew catcalls and eventually missiles to be launched from the audience in reaction to the no-holds-barred approach the musicians took. It's an uncomfortable experience Masayuki referred to as mass projection, in which time itself becomes illusory as the brain searches for footholds amongst the chaos.