Nello Ciangherotti Silvano Chimenti Nenty
Sonorità Nel Lavoro

Sought-after Brazilian classic originally released in 1974, “Molhado De Suor” is the first solo effort by Alceu Valença, mixing traditional northeastern Brazilian music and rhythms with folk rock and psychedelia. Aided by Lula Cortes and Geraldo Azevedo, Valença's rich vocals combine with driving guitar work, moody arrangements and unusual trips.Back in stock after years unavailable.

Debut album from Okawa & The Rulers!Takeshi Okawa a.k.a. Okawa 78 is a skilled saxophonist also knows as one of a very few DJs specialised in 1920-50's world roots music who only plays out on 78 RPM records. Under his wing a whole bunch of Japanese musicians gathered to form The Rulers, experimenting with the authentic music from Africa, South America and blending into ska and soul funk creating a new groove of their own. Musicians include members from The Netandars, Sly Mongoose, Oi-Skall Mates, Rub-A-Dub Market, The 69 Yobsters, and Soil & Pimp Sessions.

Light in the attic did a terrific job on this reissue..

The Who’s album, It’s Hard, celebrates its 40th anniversary with this expanded 2 LP set. Disc One (Orange Vinyl) contains a half-speed remaster of the album, while Disc Two (Yellow Vinyl) continues the rest of the album with additional rare and unreleased material. This edition, with art by Richard Evans, also comes with a poster from the era.

Hypermagic Mountain, Lightning Bolt’s 4th album has been unavailable for nearly a decade since it’s 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! The package includes a large scale 4-page book (previous pressings included a cd size book). Recorded at Machines with Magnets and Lightning Bolt’s home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound.They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale’s drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem.