Tempelhof, Gigi Masin

Both "Corner Song" and "The Flying Man" were first featured on Tempelhof and Gigi Masin's second collaborative album, 2016's arguably overlooked album Tsuki. Both are naturally worthy of a single release, though, as they deserve wider recognition.

Both are quietly beautiful, drowsy and hazily picturesque, with gently percussive opener "Corner Song" just edging out the beat-less brilliance of "The Flying Man" - in which Masin delivers a weary and heart-aching vocal - in the "best track" stakes. On the flip you'll find a radical re-interpretation of "Corner Song" by New York producer Jex Opolis, who wraps Tempelhof and Masin's glistening guitars around a wonderfully colourful and tactile Balearic boogie groove.